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cover: Brother (Kitano)

Brother (Kitano)

Director(s): Beat Takeshi Kitano

Theatrical Release: 2000

Cast: Beat Takeshi Kitano, Claude Maki, Omar Epps, Masaya Kato, Ren Ohsugi, Susumu Terajima

Genre(s): Thriller, Drama, crime, gangs/mafia/triad/yakuza, Dean's List

Countries: Japan, United Kingdom


Location in store: Asian Cinema

IN
(2 / 2)
Ant Rating
6.5
MyRating
--
Running Time: 112m.

Internationally acclaimed director and Japanese media phenomenon Takeshi Kitano follows up his well-regarded Kikujiro with this straight-ahead gangster saga with a cross-cultural twist. The film focuses on Yamamoto (Kitano), a yakuza forced out of the country when a gang war all but wipes out his clan. Armed with a fake credit card, a forged passport, and a bag of money, he journeys to the strange and foreign land of Los Angeles to join his half-brother Ken (Claude Maki), who works as a low-rent street tough alongside fast-talking hustler Denny (Omar Epps). With brutal efficiency, the poker-faced Yamamoto starts staking out turf and organizing Ken's mob into one of the most powerful criminal syndicates in the city. As his gang grows in number and power, he is joined by Kato (Kitano regular Susumu Terajima), his former lieutenant from Japan, who entreats Little Tokyo's pathological crime boss Shirase (Masaya Kato) to join the group. Yamamoto seems unstoppable until his gang runs afoul of the Mafia. Soon, all that he built quickly and bloodily starts to unravel as every member in his gang is marked for death. This film was screened at the 2000 Toronto Film Festival. - Jonathan Crow (allmovie.com)

Member Reviews


7
Good stuff, with all the Kitano ingredients we know and love by RW - June 1, 2008
His first release for American audiences. Kitano is an exiled yakuza who casually transforms his brother’s small time Los Angeles gang into an organized crime powerhouse. The translated-to-English dialog can seem stilted, the delivery cumbersome, but the oddness fades as the story gains momentum. Omar Epps’ friendship to Kitano’s “big brother” figure drives the second half of the film, lending a poignant weight to the unavoidable conclusion.
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